Thursday, 11 August 2011

Babies Go on Irish TV


A big thank you to Eilis at Hey Baby in Ireland for taking some Babies Go CDs along with her for her recent interview on Ireland AM. The presenter seemed really enthusiastic about the CDs so we were chuffed to be featured.

Wednesday, 13 July 2011

Babies Go Competition Winner Reports From Wembley



We had a little competition last month here at Babies Go with the prize of a pair of tickets to Take That's Wembley gig on July 4th. The lucky winner was Carolyn from Southampton and she's been good enough to send us a report of the gig.

My husband and I arrived at Wembley just after 5pm and our hearts dropped as we saw the queues to get into the stadium. Luckily we walked round the stadium to our gate and we were able to walk straight in without queuing! Our entrance brought us into the stadium at the side of the stage and if we had wanted to we would have been able to stand by the barriers at the front of the stage. Having seen the concert in Sunderland at the end of May (yes, sorry everyone I have now seen the concert twice!), we knew that 70% of the show was at the other end of the stage so moved to a better position (although I was a little disappointed as I could have got so close to Robbie *weep*).
The Pet Shop Boys came on stage around 7.15 and played all the classic Pet Shop Boys hits - West End Girls, Go West, It's a Sin (and also a couple of not so well known ones). They were quite a good warm up act for Take That really, especially when you looked at the median age of the crowd!!
An announcement went out around 8.15 to say that Take That would be on stage in approx 10mins, and as luck would have it, I was standing in a queue for the toilets. The only issue with having all these concerts in Football Stadiums is that they don't usually need lots of women's toilets, they were a lot stricter in Wembley and wouldn't let the women use the men's as I experienced in Sunderland!! But I got back in time anyhow!
The "grand" entrance very low key , Mark, Jason, Howard and Gary walked on stage to a huge cheer from the crowd and launched into Rule the World, followed by Greatest Day (with bursts of yellow ticker tape), Hold Up a Light (with fire swinging dancers) and then Patience. They then disappeared below the stage, which became an Alice in Wonderland type fantasy forest with a huge waddling caterpillar, dancing butterflies and bubbles for a rousing rendition of Shine. The 4 of them then ran back to the stage, and, as if by magic jumped "into" the screen and appeared on it with Robbie, singing and dancing along to a Sergeant Peppers Lonely Hearts Club parody. This then turned into a clip of Robbie by himself, and you could feel the hysteria in the air. Robbie then made his entrance by jumping out of the screen onto the stage accompanied by flames and fireworks.....to the biggest cheers of the night. He launched into all his best songs....Let Me Entertain You, Rock DJ, Feel, Come Undone and of course Angels. Yes, as reported in all the papers, his language was a little choice, but all in all he put on such a show. It was interesting to see how much more confident, some would say cocky, he had got since we saw him in Sunderland. Was it the Robbie Williams show as some people had been saying? Well for this part of the concert, yes it was, and it was brilliant! The "re-united" 5 then took to the stage to sing The Flood, with a performance that included Robbie abseiling from the top scaffolding. This was followed by SOS, Underground Machine and a fantastic version of Kidz, which turned into a dance off between Howard and Jason.... I'm sure plenty of 20 year olds would kill for the bodies and fitness of those two 40 years olds!! There was then a medley of really old songs (Million Love Songs/Babe/Everything Changes) and Back for Good. It then moved onto Love Love, which in Sunderland had been performed on the moving giant robot, but technical issues must have prevailed as it was performed on the stage, but this song sounds fantastic that loud in a stadium. So from Love Love, to Never Forget, to the Robbie song, No Regrets, dancing and getting down to Relight My Fire and then ending on Eight Letters, which I think was a bit of an anti-climax and the only disappointing part of the show.
Overall though the concert was fantastic. Was it as good as the Circus? Difficult to say, as the theme of Progress wasn't so strong, but they certainly put on one hell of a show and thanks to Babies Go....I got to experience it for a second time!! Thank You!!!

So there we are. Thanks to everyone who entered the competition, we're so glad that the winner had such a great time at the concert.

Friday, 10 June 2011

Rocking Babies... To Sleep



A poll published by The Baby Website has revealed that pop and rock songs have overtaken traditional lullabies as many parents' favoured way of singing their babies to sleep. Modern classics such as Oasis' "Wonderwall" and Robbie Williams favourite, "Angels" were among the most popular songs in the poll of 2,000 mothers. The questionnaire revealed that nearly two-thirds thought pop ballads were more effective for sending babies to sleep than traditional lullabies like Twinkle Twinkle or Rock-a-Bye Baby.

Spokeswoman Kathryn Crawford suggested mothers were being influenced by the music they listen to during the day. "We were really surprised to find that mums would rather sing modern pop tunes than traditional lullabies. I expect most mums put the radio on when at home with the baby and the catchy lyrics make it impossible to sing anything else at bedtime."

Nearly half of those polled said they sang to their little ones to calm them when they were upset, while a third always lulled their baby off to sleep with a song. The poll also revealed 13% of mothers thought lullabies were too old-fashioned, while one in 10 said they could not remember the words to any of them.

Take That's chart-topper Patience was named as the most popular song in the questionnaire; if you'd like a version of the track which has been specially designed for babies, check out our Babies Go Take That page or for lots of pop songs that have been specially produced for babies, visit our website .

www.babies-go.co.uk

Friday, 4 February 2011

Babies Go on Chris Evans Breakfast Show with Elton John

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We were happy to hear Babies Go on the Chris Evans Breakfast Show again this week, this time accompanying an interview with singer, football fanatic and national treasure, Elton John. The interview was quite eventful, including a bit of controversy, with Elton's famously loose lips getting the better of him, letting out a "f'***ing hell" mid-interview. Apart from swearing a mildly blue-streak, the singer also (rather ironically) was in town to promote new kids movie, "Gnomeo & Juliet", for which he's credited as executive producer. We've included a video clip of some of the interview (listen out for Babies Go playing in the background). You can also check out audio clips of the interview below.






Wednesday, 19 January 2011

Babies Go Take That on Chris Evans Breakfast Show

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Gary Barlow dropped into the Chris Evans breakfast show this morning to let everyone know about his 40th birthday which he'll be celebrating at the Shepherds Bush Empire tomorrow evening with a very exclusive party. He and Chris talked gigs, songwriting and the band among many other topics but we couldn't help notice the music playing in the background during the interview. We were chuffed (to say the least) when we realised that it was our very own Babies Go Take That CD playing, and if we say so ourselves, it sounded great on the radio! We've included some clips below or you can listen to the whole interview here.





Monday, 17 January 2011

Waaah! More London bring-a-baby concerts

We read this at the weekend and thought it would be worth passing along...

from Time Out:

By Jonathan Lennie

Something weird is happening. I am in the stalls of Wigmore Hall enjoying the aeolian strains of a wind trio, while my companion is chewing his hand and dribbling on my trousers; meanwhile, the person in front is standing backwards in their seat and staring at me intently. And if that wasn't disconcerting enough, a chorus of wailing is gathering momentum across the room. And never mind the clapping between movements, here there is constant movement, including one audience member who is enjoying an impromptu promenade, standing at the side of the stage eating a biscuit.

The reason for this unusual behaviour might be explained by the fact that half the audience is under one year old. We are at the sporadic 'For Crying Out Loud' concert series - my son, Reuben, making his first foray into the concert hall. Well, he is five months old and I didn't want to leave it too long.

The series, run by Wigmore Hall, is part of its education programme. And what a great idea! For while there are regular family concerts and activity workshops for infants across the city, there are few opportunities for parents with babies to attend live classical music events. And this is definitely one for the parents - today there are about 100 of them, mostly mums, some accompanied by dads, and a handful of grandparents.

Now I understand why, on entering the building with half an hour to kick-off, the ushers looked so nervous. For 15 minutes later the onslaught began, as mothers stormed the foyer with their offspring in prams and slings, and bags bulging with baby accoutrement.

The musicians today are the Fortuna Trio, whose combination of flute, clarinet and bassoon is clearly conducive to small ears as there is a collective hush as they open with a Mozart divertimento. However, despite the wonderful sounds being created on stage, Reuben doesn't seem to notice, being far more interested in examining his feet, which have only recently come into his purview. But such distractions are welcome and he remains quiet until halfway through an arrangement of Bach's 'Jesu, Joy of Man's Desiring', when a junior critic on stage right registers his displeasure (some people don't like Bach being messed about with); his cries are met by another on the other side, creating a Doppler effect, which sets the rest of the room off, including Reuben. read more......

Wednesday, 10 November 2010

Take That On Tour

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Take That have been dominating the headlines recently amid a flurry of speculation over their lineup, the new Take That album,"Flood", their forthcoming live tour and quite a lot in-between. It all started a few months ago when news of a single co-written by Gary Barlow and Robbie Williams called "Shame" made the internet rounds and got fans salivating over a potential reunion of the band's original line-up. The single was released and promptly shot straight to No. 2 in the UK singles chart, also doing well in the European charts.

Not long afterwards, the group, together with Robbie Williams, publicly announced that they would be releasing a studio album, the band's sixth, due in stores next month. They'll also be embarking on a European stadium tour next summer, taking in huge venues in the UK including Millennium Stadium, Hampden Park and Wembley Stadium as well as huge stadiums abroad like Milan's San Siro and Munich's Olympic Stadium.

All of this got us thinking here at Babies Go HQ (no need to look so worried) : amid all the hype and excitement surrounding the release and the Take That Flood Tour, how are the band members planning on taking care of the crop of rugrats that have sprouted since the last time the band were touring? It's all good and well partying like rockstars without dependants but what about when Mark Jr. needs to be in bed by 7 but he can't sleep?

We know that Howard will be able to rest assured in the knowledge that whilst he’s away, his children will be able to drift off to lullaby versions of Take That’s biggest hits. Howard recently picked up a copy of Babies Go Take That from Their Nibs, the rather stylish baby boutique in Notting Hill.

Keep an eye out for Take That concert tickets and concert ticket giveaways over the next few months for your chance to see the band live.